Art, Engagement, Economy
  • Art, Engagement, Economy: The Working Practice of Caroline Woolard
  • Foreword
  • A Way of Working
  • Welcome
  • In Conversation: Mierle Laderman Ukeles and Caroline Woolard
  • In Conversation: Tina Rivers Ryan and Caroline Woolard
  • Chapter 1: The Meeting
    • The Meeting
    • Index: The Meeting
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Chapter 2: The Study Center for Group Work
    • Institutional Possibility
    • A Musculature Of Attention
    • Installation Imagery
    • Ephemera
      • Making
      • Mediating
      • Managing
  • Chapter 3: OurGoods.org & TradeSchool.coop
    • Decommodified Labor
    • Installation Imagery
    • Ephemera
      • Managing
      • Making
      • Mediating
  • Chapter 4: Exchange Café
    • What, Who, How
    • Installation Imagery
    • Ephemera
      • Making
      • Mediating
      • Managing
  • Chapter 5: BFAMFAPhD
    • Meta-critical Mobilization
    • The Collective Forms of Decommodified Labor
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Chapter 6: Listen
    • Catalyst and Foil
    • Ephemera
      • Making
      • Mediating
  • Chapter 7: Capitoline Wolves & Queer Rocker
    • An Aesthetics of Interdependence
    • Installation Imagery
    • Ephemera
      • Making And Mediating: Queer Rocker
      • Making: Capitoline Wolves
      • Managing: Capitoline Wolves
      • Mediating: Capitoline Wolves
  • Chapter 8: Carried on Both Sides
    • Creative Labor Shared by Artists
    • Lengthening And Twisting ‘round Itself
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Scanned Artworks
  • Contributors
  • Collaborators
Powered by GitBook
On this page

Collaborators

PreviousContributors

Last updated 4 years ago

  • , also see “Jen Abrams taught me how to do public speaking, budgeting, accounting, hiring, and hone my professionalism in the nonprofit and performing arts world”

  • “my primary collaborator from 2015–today”,

    “There is something amazing about Susan’s ability to approach people of any age and status—student, administrator, etc.—with a sense of openness”

  • and see

    “A short documentary video about The Study Center for Group Work was commissioned by the Glasgow School of Art and filmed and edited by Herman Jean-Noel, founder of NEGLAKAY PRODUCTIONS, a grassroots video production house”,

    “a filmmaker who I met at TradeSchool.coop, and who made a film about my work at Cornell”

  • “Director of the United States Federation of Worker Cooperatives on conflict transformation tactics and strategies”,

    “a founding member of Anti-Oppression Resource and Training Alliance (AORTA)”

  • “uses glass to think about language”,

    “Helen is an incredible artist, both conceptually and technically, a generous host, and a clear project manager, so I knew she would be amazing to work with”

  • “an artist, educator, and writer, whose hybrid practice pushes the boundaries between distinct areas of professional practice”

  • “Louise Ma is an illustrator, artist, and designer, creating the illustrations and layout for OurGoods.org and TradeSchool.coop.”

  • “an artist, theorist, and a member of The Study Center for Group Work”

  • “a local artist who was excited to facilitate daily engagement with the groups throughout the process (...), MC’s background in community organizing and ongoing work at a local level gave her the ability to engage with people in ways that would be impossible without her support”

  • “concerns himself with systems of display and all things on the edge of breaking . . . an experienced flame worker and mold maker for glass casting”

  • “the incredible systems-thinker and curator”

  • “she works by day as a Research Associate with the Mayor’s Office for Economic Opportunity in New York City. By night, Vicky is a dancer and choreographer”

  • , also see

    “Making mobile sculptures for pick-pockets, delinquents, and communitarians, Volkova works in the legacy of critical design and collective production”

  • "generous and rigorous artist and computer engineer”

Jen Abrams
here
Kenneth Bailey
Jennifer Wright Cook
Don Greenstein
Pablo Helguera
Mahlon Huston
Susan Jahoda
Herman Jean-Noel
here
Esteban Kelly
Athena Kokoronis
Leigh Claire La Berge
Helen Lee
Judith Leemann
Ashley Lyon
Louise Ma
Alex Mallis
Meerkat Media
Ian McMahon
Adelheid Mers
Leonard Nalencz
Carol Padberg
Emilio Martínez Poppe
Sheetal Prajapati
J. Morgan Puett
Sal Randolph
MC Reitz
Alexander Rosenberg
Rachel Vera Steinberg
Carl Tashian
Daniel Tucker
Vicky Virgin
Lika Volkova
here
Christine Wang
Rich Watts
Alex Zablocki
Or Zubalsky