Art, Engagement, Economy
  • Art, Engagement, Economy: The Working Practice of Caroline Woolard
  • Foreword
  • A Way of Working
  • Welcome
  • In Conversation: Mierle Laderman Ukeles and Caroline Woolard
  • In Conversation: Tina Rivers Ryan and Caroline Woolard
  • Chapter 1: The Meeting
    • The Meeting
    • Index: The Meeting
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Chapter 2: The Study Center for Group Work
    • Institutional Possibility
    • A Musculature Of Attention
    • Installation Imagery
    • Ephemera
      • Making
      • Mediating
      • Managing
  • Chapter 3: OurGoods.org & TradeSchool.coop
    • Decommodified Labor
    • Installation Imagery
    • Ephemera
      • Managing
      • Making
      • Mediating
  • Chapter 4: Exchange Café
    • What, Who, How
    • Installation Imagery
    • Ephemera
      • Making
      • Mediating
      • Managing
  • Chapter 5: BFAMFAPhD
    • Meta-critical Mobilization
    • The Collective Forms of Decommodified Labor
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Chapter 6: Listen
    • Catalyst and Foil
    • Ephemera
      • Making
      • Mediating
  • Chapter 7: Capitoline Wolves & Queer Rocker
    • An Aesthetics of Interdependence
    • Installation Imagery
    • Ephemera
      • Making And Mediating: Queer Rocker
      • Making: Capitoline Wolves
      • Managing: Capitoline Wolves
      • Mediating: Capitoline Wolves
  • Chapter 8: Carried on Both Sides
    • Creative Labor Shared by Artists
    • Lengthening And Twisting ‘round Itself
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Scanned Artworks
  • Contributors
  • Collaborators
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  1. Chapter 7: Capitoline Wolves & Queer Rocker

Ephemera

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Last updated 4 years ago

In the pages that follow, you will find correspondence, budgets, readings, renderings, and technical drawings made in the process of developing Capitoline Wolves and Queer Rocker at the invitation of curator Stephanie Owens. The CNC rocker was made by Caroline Woolard with support from Costantino Bongiorno, Ozden Kose, Francesco Perego, and Zoe Romano at WeMake, a maker space in Milan, and from Isabella Crowley and Melody Stein, students at Cornell University. In Capitoline Wolves, the mirrors and copper bowls were made by Caroline Woolard, and her design was fabricated by local craftspeople, with expert woodwork by and the American Wooden Column Company, metalwork by and journeyman ironworker , and ceramic udders by .

Woolard has selected ephemera that serves as visual reference points for Capitoline Wolves and Queer Rocker. All materials here are reproduced with the consent of the people involved.

Mahlon Huston
Ian McMahon
Julia Helen Murray
Alex Zablocki