Art, Engagement, Economy
  • Art, Engagement, Economy: The Working Practice of Caroline Woolard
  • Foreword
  • A Way of Working
  • Welcome
  • In Conversation: Mierle Laderman Ukeles and Caroline Woolard
  • In Conversation: Tina Rivers Ryan and Caroline Woolard
  • Chapter 1: The Meeting
    • The Meeting
    • Index: The Meeting
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Chapter 2: The Study Center for Group Work
    • Institutional Possibility
    • A Musculature Of Attention
    • Installation Imagery
    • Ephemera
      • Making
      • Mediating
      • Managing
  • Chapter 3: OurGoods.org & TradeSchool.coop
    • Decommodified Labor
    • Installation Imagery
    • Ephemera
      • Managing
      • Making
      • Mediating
  • Chapter 4: Exchange Café
    • What, Who, How
    • Installation Imagery
    • Ephemera
      • Making
      • Mediating
      • Managing
  • Chapter 5: BFAMFAPhD
    • Meta-critical Mobilization
    • The Collective Forms of Decommodified Labor
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Chapter 6: Listen
    • Catalyst and Foil
    • Ephemera
      • Making
      • Mediating
  • Chapter 7: Capitoline Wolves & Queer Rocker
    • An Aesthetics of Interdependence
    • Installation Imagery
    • Ephemera
      • Making And Mediating: Queer Rocker
      • Making: Capitoline Wolves
      • Managing: Capitoline Wolves
      • Mediating: Capitoline Wolves
  • Chapter 8: Carried on Both Sides
    • Creative Labor Shared by Artists
    • Lengthening And Twisting ‘round Itself
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Scanned Artworks
  • Contributors
  • Collaborators
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  1. Chapter 4: Exchange Café

Installation Imagery

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Last updated 4 years ago

fig. 4-1 Resources, 2013, tyvek, silk-screen, signature, community currency exchange, performers, 2 3⁄5 x 6 1⁄10 inches. Courtesy of the artist and MoMA: Artists Experiment. Photo by Ryan Tempro.
fig. 4-2 Resources, 2013, tyvek, silk-screen, signature, community currency exchange, performers, 2 3⁄5 x 6 1⁄10 inches. Courtesy of the artist and MoMA: Artists Experiment. Photo by Ryan Tempro.
fig. 4-3 Milk Not Jails — a group that links farmers to prison reform in New York — supplied the milk for Exchange Café. Photo by Ryan Tempro.
fig. 4-4 Visitors to Exchange Café. Photo by Ryan Tempro.
fig. 4-5 Barricade to Bed, 2013, police barricade, plumbing straps, hardware, 2 × 6 douglas fir cut off, maple wood dowel, tennis balls, foam, fabric, open access kit, prison abolitionist ‘zines, 16 × 43 × 96 inches. Courtesy of the artist and MoMA: Artists Experiment. Photo by Ryan Tempro.
fig. 4-6 Barricade to Bed, 2013, police barricade, plumbing straps, hardware, 2 × 6 douglas fir cut off, maple wood dowel, tennis balls, foam, fabric, open access kit, prison abolitionist ‘zines, 16 × 43 × 96 inches. Courtesy of the artist and MoMA: Artists Experiment. Photo by Ryan Tempro.
fig. 4-7 Hiding Tables, 2013, scavenged leather, wood, casters, glass, 34 × 50 × 34 inches.