Art, Engagement, Economy
  • Art, Engagement, Economy: The Working Practice of Caroline Woolard
  • Foreword
  • A Way of Working
  • Welcome
  • In Conversation: Mierle Laderman Ukeles and Caroline Woolard
  • In Conversation: Tina Rivers Ryan and Caroline Woolard
  • Chapter 1: The Meeting
    • The Meeting
    • Index: The Meeting
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Chapter 2: The Study Center for Group Work
    • Institutional Possibility
    • A Musculature Of Attention
    • Installation Imagery
    • Ephemera
      • Making
      • Mediating
      • Managing
  • Chapter 3: OurGoods.org & TradeSchool.coop
    • Decommodified Labor
    • Installation Imagery
    • Ephemera
      • Managing
      • Making
      • Mediating
  • Chapter 4: Exchange Café
    • What, Who, How
    • Installation Imagery
    • Ephemera
      • Making
      • Mediating
      • Managing
  • Chapter 5: BFAMFAPhD
    • Meta-critical Mobilization
    • The Collective Forms of Decommodified Labor
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Chapter 6: Listen
    • Catalyst and Foil
    • Ephemera
      • Making
      • Mediating
  • Chapter 7: Capitoline Wolves & Queer Rocker
    • An Aesthetics of Interdependence
    • Installation Imagery
    • Ephemera
      • Making And Mediating: Queer Rocker
      • Making: Capitoline Wolves
      • Managing: Capitoline Wolves
      • Mediating: Capitoline Wolves
  • Chapter 8: Carried on Both Sides
    • Creative Labor Shared by Artists
    • Lengthening And Twisting ‘round Itself
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Scanned Artworks
  • Contributors
  • Collaborators
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  1. Chapter 2: The Study Center for Group Work

Installation Imagery

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Last updated 4 years ago

fig. 2-3 Cooper WOUND Furniture (Ladder Chairs), Installation view of Wound: the Study Center for Group Work, 2016, plywood, steel, paint, three-ing rug on loan from Jean Gardener and the Estate of Paul Ryan, dimensions variable. Courtesy of the artist. Photo by João Enxuto.
fig. 2-4 Cooper WOUND Furniture (Ladder Chairs), Installation view of Wound: the Study Center for Group Work, 2016, plywood, steel, paint, three- ing rug on loan from Jean Gardener and the Estate of Paul Ryan, dimensions variable. Courtesy of the artist. Photo by João Enxuto.
fig. 2-5 DIY Ruin Columns, 2016–2018, turned poplar, oil paint pickling, felt, 18 × 16 × 16 inches each. Courtesy of the artist.
fig. 2-6 DIY Ruin Columns, 2016–2018, turned poplar, oil paint pick- ling, felt, 18 × 16 × 16 inches each. Courtesy of the artist.
fig. 2-7 DIY Ruin Columns, 2016–2018, turned poplar, oil paint pickling, felt, 18 × 16 × 16 inches each. Courtesy of the artist.