Art, Engagement, Economy
  • Art, Engagement, Economy: The Working Practice of Caroline Woolard
  • Foreword
  • A Way of Working
  • Welcome
  • In Conversation: Mierle Laderman Ukeles and Caroline Woolard
  • In Conversation: Tina Rivers Ryan and Caroline Woolard
  • Chapter 1: The Meeting
    • The Meeting
    • Index: The Meeting
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Chapter 2: The Study Center for Group Work
    • Institutional Possibility
    • A Musculature Of Attention
    • Installation Imagery
    • Ephemera
      • Making
      • Mediating
      • Managing
  • Chapter 3: OurGoods.org & TradeSchool.coop
    • Decommodified Labor
    • Installation Imagery
    • Ephemera
      • Managing
      • Making
      • Mediating
  • Chapter 4: Exchange Café
    • What, Who, How
    • Installation Imagery
    • Ephemera
      • Making
      • Mediating
      • Managing
  • Chapter 5: BFAMFAPhD
    • Meta-critical Mobilization
    • The Collective Forms of Decommodified Labor
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Chapter 6: Listen
    • Catalyst and Foil
    • Ephemera
      • Making
      • Mediating
  • Chapter 7: Capitoline Wolves & Queer Rocker
    • An Aesthetics of Interdependence
    • Installation Imagery
    • Ephemera
      • Making And Mediating: Queer Rocker
      • Making: Capitoline Wolves
      • Managing: Capitoline Wolves
      • Mediating: Capitoline Wolves
  • Chapter 8: Carried on Both Sides
    • Creative Labor Shared by Artists
    • Lengthening And Twisting ‘round Itself
    • Installation Imagery
    • Ephemera
      • Making
      • Managing
      • Mediating
  • Scanned Artworks
  • Contributors
  • Collaborators
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  1. Chapter 7: Capitoline Wolves & Queer Rocker

Installation Imagery

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Last updated 4 years ago

fig. 7-1 Queer Rocker, 2013, CNC prototype oak plywood, ratchet straps, newspapers, 48 × 30 × 44 inches. Courtesy of the artist. Photo by Ryan Tempro.
fig. 7-2 Queer Rocker, 2013, CNC prototype oak plywood, ratchet straps, newspapers, 48 × 30 × 44 inches. Courtesy of the artist. Photo by Ryan Tempro.
fig. 7-3 Capitoline Wolves, 2016, cherry wood, powder coated steel, dyed stoneware, local water, hand mirrored glass, copper bowls, performance, 29 x 36 x 72 inches each, forming a circle that is 15 feet in diameter. Commissioned by Cornell University. Courtesy of the artist. Photo by Levi Mandel.
fig. 7-4 Capitoline Wolves, 2016, cherry wood, powder coated steel, dyed stoneware, local water, hand mirrored glass, copper bowls, performance, 29 x 36 x 72 inches each, forming a circle that is 15 feet in diameter. Commissioned by Cornell University. Courtesy of the artist. Photo by Levi Mandel.